Reviews

You are currently browsing the archive for the Reviews category.

As part of my constant mission to advance science, I have been testing various cereals. I ate a lot of cereal when I was growing up. A LOT. For breakfast, lunch and dinner. I was known around the neighborhood for eating cereal. Just ask Nicole and Pauli, who lived across the alley. My favorites as a kid were Sugar Corn Pops, Sugar Smacks, Cocoa Krispies, Lucky Charms and Moon Rocks (long discontinued). I also liked Grape-Nuts, Shredded Wheat (big biscuits) and Rice Krispies — all with many spoonfuls of sugar. As I got older the amount of sugar involved in this cereal consumption became, well, sickening. But I’ve been getting back into the cereal game. The ranked results of my testing follow:

1. Equal parts Kix, Sugar Corn Pops and Captain Crunch. Great combination. The Kix lightens the sugary punch of the other two. Captain Crunch is the secret ingredient.

2. Captain Crunch. My new favorite cereal. Not with the peanut butter (I like peanut butter but…disgusting) and not with the crunchberries.

3. Sugar Corn Pops. Not as sugary as they sound, which is good at this point in my life.

4. Honeycomb. Was never big into Honeycomb, probably because it is also somewhat less sugary. Oddly enough, I was introduced to it on a trip to Yale during college. So whenever I eat Honeycomb, I think of Yale. The brain is freaky.

5. Kix. Somewhere between sugared and non-sugared cereal.

6. Equal parts Kix and Sugar Corn Pops. Doesn’t really work.

I haven’t had the courage to try Fruit Loops, Sugar Smacks, Cocoa Krispies or some of the other cereals that seem more sugary. I don’t know if I can face the milk at the bottom of the bowl.

Gone Baby Gone

I watched Gone Baby Gone recently. I had heard it was a pretty good movie but after watching 2/3 of the movie I wasn’t sure why. It seemed poorly written and or poorly edited and full of improbabilities. For instance, Patrick (Casey Affleck) plays a private investigator and at one point he kills two people and nobody seems to care. One of these people is clearly a terrible person but Patrick shoots him in the back of the head while he is sitting down. Basically, he executes him. (He’s a child molester so we don’t mind.) But this is supposed to be a realistic drama and private investigators can’t just run around killing people.

Anyway, the first 3/4 of the movie stinks. There are a few bright spots, like
Patrick’s cute girlfriend Angie (Michelle Monaghan) and Amy Ryan’s performance. She played the harbor cop in The Wire and Michael’s girlfriend in The Office. Here she plays a very different role: Helene, the mother of the kidnapped girl. She has a strong Boston accent in the film and is convincing. But the Boston accents are part of the problem. Sometimes it’s like watching one of those English movies where you can only understand every third word.

One other thing about the first 3/4. The director, Ben Affleck, clearly went out of his way to have real people in his film. There are a lot of shots of down-an-out people who are very convincing. It’s the opposite of the Hollywood movies that show buxom blondes running around in, say, medieval England. The real people thing is almost overdone though I agree with it in theory. I hate to say a movie is too realistic when most movies are so unrealistic but I think that’s the case here on a couple counts. It makes for an odd mixture of near-documentary and fictional film.

But I’m writing about this movie because of the last 1/4. Often a movie is good for the first 3/4 and then falls apart at the end. With Gone Baby Gone, the opposite is true. It comes together at the end and I think that’s why the people who praise it do so.

[The rest of this blog entry contains major SPOILERS]

Here’s the basic plot of the movie. The young daughter of a drug addict mom is kidnapped. Patrick is hired by the aunt of the child to help find her. Patrick uncovers an inside job. In collusion with the uncle, the police have kidnapped the child and given her to a retiring police officer who is childless. The child is now in a good home and is now destined for a great life. Patrick must decide whether to leave the girl in the good home or give her back to the drug addict mother. That’s when the movie gets interesting.

What is the Hollywood ending here? There isn’t a good one. I’d say the most Hollywood ending would be to leave the little girl with retired cop. That way, we know she’s going to have a happy life. And we still have the discussion when we leave the theater: was that the right decision?

In real life, what would you do? I’m not sure what I would do. Patrick turns in the cop and returns the kid to the drug addict mother. A Hollywood ending would then be to show the mother has turned the corner, that she has given up drugs and become a good mother. That doesn’t happen. In the last scene with the mother, she MIGHT have changed. She’s going out on a date and leaving Patrick to babysit the little girl. She hasn’t exactly lined up a babysitter, though she says she was about to get a last-minute sitter. We are left with the possibility that the mother is slightly more responsible then she was previously. There is no information about drugs either way. We have some hope for the daughter but can’t be too terribly optimistic.

I wonder how much of a hassle Affleck had with the studio over the ending. It’s based on a book so maybe that helped a bit. However it came about, it’s nice to see a movie that presents a hypothetical situation, doesn’t take the easy way out, and sparks substantial post-viewing discussion.

I recently read a new book that’s causing a ruckus in the transplant community. Sick Girl is by Amy Silverstein, a heart transplant recipient who has survived nineteen years with her new organ. Because it’s getting a big publicity push, this could become the best-selling transplant medical memoir ever.

Sick Girl is better written than most medical memoirs. (By “medical memoirs” I mean autobiographical books that focus on the author’s fight with this or that illness.) I have read many books in this genre over the years, most about CF or transplants or both. Most are self-published, which usually means the quality of the writing and editing is not as good as you get from mainstream publishers. And most of these medical memoirs tend to be a little too Hallmark movie and “very special episode of Blossom” for my taste. Understandably, these books generally exude gratitude and the thrill of living. The downside: too saccharine, too “Live life to the utmost every day!!!” — and yes, too many exclamation points. (I say all this as someone who plans on self-publishing my own medical memoir overflowing with exclamation points.) So in this respect, Sick Girl is a welcome deviation. But she goes way too far in the other direction. Silverstein is a glass-half-empty person and it shows.

Sick Girl is billed as the “true story” of a transplant patient’s life, the true story of the hardships a transplant patient faces. Because it’s such a popular book, I’m afraid people will believe it is the true story. Really, it’s her story. And her story is very different from the stories of most transplant patients I have known. The tests, the doctors, the caregivers — much of that is the same. But her attitude is different and attitude is everything. She has such a crappy attitude I’m amazed she has survived for so long. This is a how-not-to book, how not to be a transplant patient.

I cut her some slack for a few reasons. First, she was a healthy 24-year-old woman when she was suddenly afflicted with heart disease. In a matter of months, she went from an apparently healthy person to a transplant patient. I imagine that was difficult. I had my whole life to train as a sick person. Still, she has had nineteen years as a transplant patient. She should be well-trained now. Second, the main immunosuppressant medication she takes twice a day makes her nauseous (for how long is unclear). Mine make me feel sort of “blah” but I don’t have to deal with nausea twice a day. Why have her doctors never changed up her medicine? Third, she and her doctors do a terrible job of communicating. Fourth, she somehow got latched on to the idea that her transplant heart would give her ten years. The doctor should have told her: nobody knows. Fifth, I feel sorry for her because I think she lacks mental toughness.

That being said, I cannot stand this woman. She is intensely self-absorbed and completely lacking in perspective. She screams and runs down the hall at the thought of getting an IV yet she considers herself courageous. She describes every test she undergoes as an ordeal so it’s impossible to tell how bad the tests really are. She calls herself beautiful and smart and brave (she suffers no shortages on the ego front). She goes on a whirlwind tour of Spain with several other “fabulous couples” (her phrase) and expects us to feel sorry for her because she gets tired and has to take a half day off. She does not buy into the whole “I’m a grateful transplant recipient” gig because she is too smart, she says, to fall for it. GET OVER YOURSELF WOMAN!

She was fortunate enough to get a new heart — the heart of a thirteen-year-old girl. This new heart has allowed Silverstein to live another nineteen years (NINETEEN YEARS!) and do what that girl never could. After her transplant, Silverstein graduated from law school, got married in a high society New York wedding, married a guy who is obviously (mysteriously, I would say) madly in love with her and incredibly supportive of her, and adopted a child. Yet she whined and griped every step of the way. She is also able to jog four miles at a time and take amazing annual trips to exotic locales. Yet when we first meet her she is contemplating committing suicide while her husband and child are away at the Super Bowl. This selfishness is typical of her behavior. She is a spoiled brat, a diva, and a drama queen all wrapped up in one. I feel sorry for her husband, her kid and her doctors.

At one point, her husband says, on page 260, “You couldn’t possibly feel that bad. It’s like you’re the only person who has ever felt sick. You always make it sound like it’s the worst illness that there ever was in the world.” To which I exclaimed, AMEN BROTHER! He voiced what I’d been thinking for the previous 259 pages. But her response is that he just can’t understand, nobody can understand — because apparently she is the first person in the history of the humanity to suffer. She claims to be grateful for her transplant but by my estimation, she is grateful 5% of the time and a weepy jerkoff the other 95% of the time. Her afterword is titled “In Gratitude.” I thought, okay, finally, at least here she will talk about her donor and donor family. Nope. It’s all about thanking people for encouraging her to write this crappy book.

« Older entries